Frank Stella (*1936) situates his oeuvre not only in the present.
Abstraction or representation, simulacrum, sign, and ornament, as
well as questions of surface and space have fascinated him anew
time and again. The publication presents the following phases in
his oeuvre in the context of the Museum Wiesbaden’s collection:
the early works, the stripe paintings attributed to minimalism, the
departure into space, and thus from the picture to the relief, as
well as the use of ornament and arabesque. In interplay with
current sculptures by the artist, not only the rigorousness of his
oeuvre but also the relevance of his work until today is thus
shown. Text in English and German.
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