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Skin Shows - Gothic Horror and the Technology of Monsters (Paperback, New)
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Skin Shows - Gothic Horror and the Technology of Monsters (Paperback, New)
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In this examination of the monster as cultural object, Judith
Halberstam offers a rereading of the monstrous that revises our
view of the Gothic. Moving from the nineteenth century and the
works of Shelley, Stevenson, Stoker, and Wilde to contemporary
horror film exemplified by such movies as Silence of the Lambs,
Texas Chainsaw Massacre, and Candyman, Skin Shows understands the
Gothic as a versatile technology, a means of producing monsters
that is constantly being rewritten by historically and culturally
conditioned fears generated by a shared sense of otherness and
difference.
Deploying feminist and queer approaches to the monstrous body,
Halberstam views the Gothic as a broad-based cultural phenomenon
that supports and sustains the economic, social, and sexual
hierarchies of the time. She resists familiar psychoanalytic
critiques and cautions against any interpretive attempt to reduce
the affective power of the monstrous to a single factor. The
nineteenth-century monster is shown, for example, as configuring
otherness as an amalgam of race, class, gender, and sexuality.
Invoking Foucault, Halberstam describes the history of monsters in
terms of its shifting relation to the body and its representations.
As a result, her readings of familiar texts are radically new. She
locates psychoanalysis itself within the gothic tradition and sees
sexuality as a beast created in nineteenth century literature.
Excessive interpretability, Halberstam argues, whether in film,
literature, or in the culture at large, is the actual hallmark of
monstrosity.
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