Billy May was a self-taught musician and arranger. In 1938, he
received his first big break arranging and playing trumpet; first,
for the Charlie Barnet band, and in 1940, the band of Glenn Miller.
Settling in Hollywood in 1943, his first of many big breaks in
radio was playing in Ozzie Nelson's band for the "Red Skelton
ShoW." Shortly thereafter, May was asked by Nelson to be musical
director to his new show, The Adventures of Ozzie and Harriet. He
was also fortunate to play in the orchestra and write arrangements
for John Scott Trotter on Bing Crosby's "Kraft Music Hall." Billy
May's earliest collaboration with Frank Sinatra produced "Don't
Fence Me In" for broadcast on December 23, 1944. Capitol Records
paired Billy May and Alan Livingston to initiate a series of
children's recordings with arrangements and compositions such as
"Bozo the Clown" and the exceedingly popular "I Taut I Taw a Putty
Tat." As a band leader and arranger, his signature included the
prominent saxophone section glissando (sliding, or slurping)
effect, and highly imaginative arrangements. His last great project
was the documentation on record of swing era music, commissioned by
Time-Life, and completed in 1973.
The discography covers Billy May as arranger and composer from
1944-1998, as sideman and arranger for others, his work on radio,
television, movies, and international appearances, his road band,
recordings, both domestic and foreign, and his transcriptions. Data
is cross-indexed by song title and artist.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!