Published in France in 1987, this is the book in which Lecoq
first set out his philosophy of human movement, and the way it
takes expressive form in a wide range of different performance
traditions. He traces the history of pantomime, sets out his
definition of the components of the art of mime, and discusses the
explosion of physical theatre in the second half of the twentieth
century. Interviews with major theatre practitioners Ariane
Mnouchkine and Jean-Louis Barrault by Jean Perret, together with
chapters by Perret on A0/00tienne Decroux and Marcel Marceau, fill
out the historical material written by Lecoq, and a final section
by Alain GautrA(c) celebrates the many physical theatre
practitioners working in the 1980s.
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