From Almanac of Fall (1984) to The Turin Horse (2011), renowned
Hungarian filmmaker Bela Tarr has followed the collapse of the
communist promise. The "time after" is not the uniform and morose
time of those who no longer believe in anything. It is the time
when we are less interested in histories and their successes or
failures than we are in the delicate fabric of time from which they
are carved. It is the time of pure material events against which
belief will be measured for as long as life will sustain it.
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