How does film censorship work in Britain? Jim Robertson's new
paperback edition of The Hidden Cinema argues that censorship has
had a far greater influence on British film history than is often
apparent, creating the `hidden cinema' of the title. Robertson
charts the role of the British Board of Film Censors, established
in 1913, and the histories of a variety of noteworthy films
including Battleship Potemkin and No Orchids for Miss Blandish and
revealing how censorship continues to exert a marked influence on
many important films - like the controversial A Clockwork Orange -
some of which have now vanished from British screens altogether.
This edition includes a brand new section on Bernardo Bertolucci's
Last Tango in Paris, immediately engulfed in censorship wrangles on
its release in 1972.
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