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Gurudev's Drumming Legacy - Music, Theory and Nationalism in the Mrdang aur Tabla Vadanpaddhati of Gurudev Patwardhan (Hardcover, New Ed)
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Gurudev's Drumming Legacy - Music, Theory and Nationalism in the Mrdang aur Tabla Vadanpaddhati of Gurudev Patwardhan (Hardcover, New Ed)
Series: SOAS Studies in Music
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The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that
has never been translated or analysed. It is a manual for playing
the two most important drums of North Indian (Hindustani) music,
the pakhavaj (mrdang) and the tabla. Owing to its relative
obscurity, it is a source that has never been discussed in the
literature on Hindustani music. Its author, Gurudev Patwardhan, was
Vice Principal of V.D. Paluskar's first music school in Lahore from
its inception in 1901 to 1908. Professor James Kippen provides the
first translation of this immensely important text and examines its
startling implications for rhythmic and metric theory. It is the
earliest work on Indian drumming to contain a notation sufficiently
precise to allow definitive reconstruction. The compositions are of
considerable musical interest, for they can be readily realized on
the tabla or pakhavaj. Kippen sets the work and objectives of the
original author in the context of a rich historical, social and
political background. By also discussing radical differences in the
second edition of 1938, published by Gurudev's nephew, the vocalist
Vinayakrao Patwardhan, Kippen illuminates the process by which
'tabla theory' was being created in the early 20th century. Both
Patwardhans were enthusiastic supporters of Paluskar's nationalist
imperatives, and active participants in his drive to
institutionalize music, codify and publish notations of it, and
promote a modern, Hindu vision of India wherein its identity could
once again be linked to a glorious golden age in distant antiquity.
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