The publication of The Complete Short Stories of James Purdy is a
literary event that marks the first time all of James Purdy’s
short stories—fifty-six in number, including seven drawn from his
unpublished archives—have been collected in a single volume. As
prolific as he was unclassifiable, James Purdy was considered one
of the greatest—and most underappreciated—writers in America in
the latter half of the twentieth century. Championed by writers as
diverse as Dame Edith Sitwell, Gore Vidal, Paul Bowles, Tennessee
Williams, Carl Van Vechten, John Cowper Powys, and Dorothy Parker,
Purdy’s vast body of work has heretofore been relegated to the
avant-garde fringes of the American literary mainstream. His unique
form and variety of style made the Ohio-born Purdy impossible to
categorize in standard terms, though his unique, mercurial talent
garnered him a following of loyal readers and made him—in the
words of Susan Sontag—“one of the half dozen or so living
American writers worth taking seriously." Purdy’s journey to
recognition came with as much outrage and condemnation as it
did lavish praise and lasting admiration. Some early assessments
even dismissed his work as that of a disturbed mind, while others
acclaimed the very same work as healing and transformative. Purdy's
fiction was considered so uniquely unsettling that his first book,
Don't Call Me by My Right Name, a collection of short stories all
reprinted in this edition, had to be printed privately in the
United States in 1956, after first being published in England. Best
known for his novels Malcolm, Cabot Wright Begins, Jeremy's
Version, and Eustace Chisholm and the Works, Purdy captured an
America that was at once highly realistic and deeply symbolic, a
landscape filled with social outcasts living in crisis and longing
for love, characterized by his dark sense of humor and unflinching
eye. Love, disillusionment, the collapse of the family, ecstatic
longing, sharp inner pain, and shocking eruptions of violence
pervade the lives of his characters in stories that anticipate both
"David Lynch and Desperate Housewives" (Guardian). In "Color of
Darkness," for example, a lonely child attempts to swallow his
father's wedding ring; in "Eventide," the anguish of two sisters
over the loss of their sons is deeply felt in the summer heat; and
in the gothic horror of "Mr. Evening," a young man is hypnotized
and imprisoned by a predatory old woman. These stories and many
others, both haunting and hilarious, form a canvas of deep
desperation and immanent sympathy, as Purdy narrates "the
inexorable progress toward disaster in such a way that it's as
satisfying and somehow life-affirming as progress toward a happy
ending" (Jonathan Franzen). It may have taken over fifty years, but
American culture is finally in sync with James Purdy. As John
Waters writes in his introduction, Purdy, far from the fringe, has
"been dead center in the black little hearts of provocateur-hungry
readers like myself right from the beginning."
General
Imprint: |
Liveright Publishing Corporation
|
Country of origin: |
United States |
Release date: |
September 2013 |
First published: |
July 2013 |
Authors: |
James Purdy
|
Introduction by: |
John Waters
|
Dimensions: |
244 x 168 x 48mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
752 |
ISBN-13: |
978-0-87140-669-9 |
Categories: |
Books >
Fiction >
General
|
LSN: |
0-87140-669-1 |
Barcode: |
9780871406699 |
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