The oral eye is a metaphor for the dominance of global designer
capitalism. It refers to the consumerism of a designer aesthetic by
the 'I' of the neoliberalist subject, as well as the aural
soundscapes that accompany the hegemony of the capturing attention
through screen cultures. An attempt is made to articulate the
historical emergence of such a synoptic machinic regime drawing on
Badiou, Bellmer, Deleuze, Guattari, Lacan, Ranciere, Virilio,
Ziarek, and Zižek to explore contemporary art (post-Situationism)
and visual cultural education. jagodzinski develops the concept of
an 'avant-garde without authority, ' 'self-refleXion' and
'in(design)' to further the questions surrounding the posthuman as
advanced by theorists such as Hansen, Stiegler and Ziarek's 'force'
of art.
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