Jane Duran's new book of two striking sequences takes readers into
other worlds - 'gridlines', in which the life and paintings of
Agnes Martin are interwoven, and 'miniatures of al-Andalus'
inspired by the illuminated Cantigas de Santa Maria and the art and
artefacts of Islamic Iberia. The simple gridlines of Duran's
couplets recall Martin's square canvasses, her precisely rendered
grids and luminous stripes. Responding to individual images and to
Martin's own biography, discovering lovely breaths of life entering
the 'grey rectangles', the poems' intricate interlockings and
brilliant images seem almost to escape the poems' formal
enclosures, so that Martin's 'The Peach 1964', 'gave me back //
only beige, graphite, / ink, sanity // and orchard after orchard'.
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