This provocative book examines the phenomenon of images as
property, specifically mechanically produced visual and audio
images from popular culture. By looking at legal texts - such as
judicial opinions and stars' contracts - as cultural artifacts in
their own right, and by offering a poststructualist analysis of
these texts, Jane Gaines explores not only the legal but the
cultural status of these icons. She discusses such legal questions
as individual authorship of an image versus its corporate ownership
and the right to privacy versus the right to publicity.
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