Drawing upon the past two decades of burgeoning literature in
philosophy of music, this study offers a comprehensive, critical
analysis of what is entailed in performance interpretation. It
argues that integrity and other virtues offset the harm that
virtuosity and rigid historical authenticity can impose on the
perceptive judgment required of excellent musical interpretation.
Proposed are challenging and provocative reassessments of the
appropriate roles for virtuosity and historical authenticity in
musical performance. Acknowledging the competitive ethos of the
contemporary music scene, it details the kind of character a
performer needs to develop in order to withstand those pressures
and to achieve interpretive excellence. Performers are encouraged
to examine and explore the ethical dimension of their art against
their responsibilities to the diverse patrons they serve.
Professional and student performers and instructors will
appreciate this practical discussion of the ethical challenges
performers confront when interpreting musical works. The ethical
discourse applies to instrumental performance studies, the history
and theory of music, general music pedagogy, and philosophy of
music courses.
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