Premiering in 2006, the stylish and award winning US hit show
Ugly Betty, about kind-hearted ugly duckling Betty Suarez (America
Ferrera), is the latest incarnation of a truly global phenomenon
that started life as a Colombian telenovela, Yo soy Betty, la fea,
back in 1999. The tale has since taken an extraordinary journey
around the globe, from the original Colombian Beatriz, Indian
Jassi, Chinese Wudi and Israeli Esti to the Flemish Sara, Spanish
Bea, Greek Maria and Dutch Lotte as well as Czech Katka, Russian
Katka and Turkish Gonul. This groundbreaking book about how
television formats go global asks what the Betty phenomenon can
tell us about the international circulation of locally produced TV
fictions as the Latin American telenovela is sold to, and/or
re-made for, different national contexts. The contributors explore
what Betty says about the tensions between multimedia
conglomerates' commercial demands and the regulatory forces of
national broadcasters, about national TV industries' struggle in
competitive markets, and about what this international trade
reveals about cultural storytelling and audience experience, as
well as ideologies of feminine beauty. The book features original
interviews with buyers and schedulers, writers, story editors and
directors, including the creator of Yo soy Betty, la fea, Fernando
Gaitan.
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