Begun in 1951 by monks at the abbey of La Pierre-qui-Vire in
Burgundy, the Zodiaque publications consisted of a triennial
journal and multiple series of books, including the most famous: La
Nuit des temps. The editors’ goal was to renew sacred art for
twentieth-century viewers by making connections between the direct,
“primitive” character of pre-Gothic religious art and an
emerging modernist aesthetic. Focusing almost exclusively on
Romanesque architecture and sculptural decoration, Zodiaque revived
the style’s richness and variety, bringing to light monuments
lost to popular currency and visually shaping their reception with
a new eye to graphic forms. What captured the public imagination
and brought the Zodiaque books to international attention was their
primary feature: striking black-and-white photogravures. These
powerful images went beyond documentary photography to become
collectible graphic prints, shaping the plastic form seen by the
camera into a fresh two-dimensional artwork. In Zodiaque, Janet
Marquardt explores the motivations, philosophies, and workshop
practices of Éditions Zodiaque and how they affected the scholarly
discourse on medieval art and architecture.
General
Imprint: |
Pennsylvania State University Press
|
Country of origin: |
United States |
Release date: |
June 2015 |
Authors: |
Janet T. Marquardt
|
Dimensions: |
216 x 165 x 27mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
288 |
ISBN-13: |
978-0-271-06506-9 |
Categories: |
Books
|
LSN: |
0-271-06506-0 |
Barcode: |
9780271065069 |
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