This study discusses Adcock as a writer who draws on her
experiences of dislocation in order to position herself between
cultures. Contrasting her work with that of the post-war British
poetic mainstream with which she has been associated, it emphasises
that the radically displaced feminised consciousness which
negotiates the boundaries between self and other can be identified
in Adcock’s poetry as metonymic of resolving national and
cultural differences. Wilson argues that displaced voices such as
hers from white settler colonies like New Zealand now belong to
multicultural Britain. Her close readings of Adcock’s verse in
terms of its ironic double vision focus on the blend of classical
restraint, wit, and humour, in relation to her complex revaluation
of the diasporic imaginary of the exile. Claiming that Adcock’s
personal mythology, based on her divided nationality and gendered
consciousness, recalls writers like Jane Austen and her fellow
expatriate, Katherine Mansfield, Wilson argues that the best of her
work transcends the immediate problems of her age.
General
Imprint: |
Liverpool University Press
|
Country of origin: |
United Kingdom |
Series: |
Writers and Their Work |
Release date: |
December 2007 |
Authors: |
Janet Wilson
|
Dimensions: |
216 x 138 x 9mm (L x W x T) |
Format: |
Paperback
|
Pages: |
156 |
Edition: |
1 |
ISBN-13: |
978-0-7463-1040-3 |
Categories: |
Books
|
LSN: |
0-7463-1040-4 |
Barcode: |
9780746310403 |
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