"Buried Gold."
-- "Choice"
"Fetching volume of thirteen radiant interventions."
--"Cultural Critique"
Drawing on a variety of interdisciplinary debates in cultural
studies and contemporary theory, Modernism, Inc. provides a new
look at the relationship between modernism and postmodernism within
the critical frame of twentieth-century American culture.
Organized around the idea of "incorporation"--embodiment,
repressed memory, and advanced capitalism--Modernism, Inc. covers a
wide range of topics: Josephine Baker's "hot house style"; the
president's penis in American political life; myth-making and the
Hoover Dam; trauma, poetics, and the Armenian genocide; feminist
kitsch and the recuperation of North America's "Great Lady
painters"; Gertrude Stein and Jewish Social Science; the Reno
Divorce Factory and the production of gender; Andy Razaf and Black
Bolshevism. Collectively, the essays suggest that the relationship
between the modern and the postmodern is not one of rupture,
belatedness, dilution, or extremity, but of haunting.
Modernism, Inc. looks at our ghosts, and at the unspeakable
secrets of modernity from which they're derived.
Contributors: Maria Damon, Walter Kalidjian, Walter Lew, Janet
Lyon, William J. Maxwell, Cary Nelson, John Timberman Newcombe,
David G. Nicholls, Thomas Pepper, Paula Rabinowitz, Daniel
Rosenberg, Marlon Ross, Jani Scandura, Kathleen Stewart, Julia
Walker.
General
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