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The Crucifixion in Music - An Analytical Survey of Settings of the Crucifixus between 1680 and 1800 (Hardcover)
Loot Price: R3,428
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The Crucifixion in Music - An Analytical Survey of Settings of the Crucifixus between 1680 and 1800 (Hardcover)
Series: Contextual Bach Studies
Expected to ship within 12 - 17 working days
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Unique yet diverse in its approach, The Crucifixion in Music
examines how text is set in music through the specific
musicological period from 1680 to 1800. The treatise focuses
specifically on the literary text of the Crucifixus from the Credo
of the Ordinary of the Roman Catholic Mass. Combining analytical
theory and method to address musical rhetoric, semiotics, and
theory, author Jasmin Cameron follows the Crucifixion through many
settings in Baroque and Classical music. In this first title in
Scarecrow Press's new series, Contextual Bach Studies, Cameron
studies musical representations of the text, first through a
discussion that establishes a theoretical framework, then by
applying the framework to individual case studies, such as Johann
Sebastian Bach's B Minor Mass. By studying the musical
representation of the text, and the concepts and contexts to which
the words refer, Cameron examines the way the treatment of a
literary text fuses into a recognizable musical tradition that
composers can follow, develop, modify, or ignore. With equal time
given to the settings of the Crucifixus by composers before and
after Bach's time, the reader is provided with a fuller historical
context for Bach's genius. Cameron also combines the beliefs of
past theorists with those of today, reaching a common ground among
them, and providing a basis and analytical framework for further
study.
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