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Ether and Modernity - The recalcitrance of an epistemic object in the early twentieth century (Hardcover)
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Ether and Modernity - The recalcitrance of an epistemic object in the early twentieth century (Hardcover)
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Ether and Modernity offers a snapshot of the status of an epistemic
object, the "ether" (or "aether"), in the early twentieth century.
The contributed papers show that the ether was often regarded as
one of the objects of modernity, hand in hand with the electron,
radioactivity or X-rays, and not simply as the stubborn residue of
an old-fashioned, long-discarded science. The prestige and
authority of scientists and popularisers like Oliver Lodge and
Arthur Eddington in Britain, Phillip Lenard in Germany or Dayton C.
Miller in the USA was instrumental in the preservation, defence or
even re-emergence of the ether in the 1920s. Moreover, the
consolidation of wireless communications and radio broadcasting,
indeed a very modern technology, brought the ether into audiences
that would otherwise never have heard about such an esoteric
entity. The ether also played a pivotal role among some artists in
the early twentieth century: the values of modernism found in the
complexities and contradictions of modern physics, such as wireless
action or wave-particle puzzles, a fertile ground for the
development of new artistic languages; in literature as much as in
the pictorial and performing arts. Essays on the intellectual
foundations of Umberto Boccioni's art, the linguistic techniques of
Lodge, and Ernst Mach's considerations on aesthetics and physics
witness to the imbricate relationship between the ether and
modernism. Last but not least, the ether played a fundamental part
in the resurgence of modern spiritualism in the aftermath of the
Great War. This book examines the complex array of meanings,
strategies and milieus that enabled the ether to remain an active
part in scientific and cultural debates well into the 1930s, but
not beyond. This portrait may be easily regarded as the swan song
of an epistemic object that was soon to fade away as shown by Paul
Dirac's unsuccessful attempt to resuscitate some kind of aether in
1951, with which this book finishes.
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