Filmmaker David Lynch's work is viewed here as patriotic and
Puritanical. This Lynch is an idealistic conservative on a
reformer's mission. Lynch promotes a return to the values inherent
in a mythological America, but he simultaneously indulges in a
voyeuristic pleasure while he condemns. Like Jeffrey peeking
through the slats of Dorothy's closet in Blue Velvet, the viewer of
Lynch's work is a rationalist plagued by his dreams; intrigued and
repulsed, fascinated and judgmental, he both craves and resists
cultural assimilation. Works presented include all features from
Eraserhead to Mulholland Drive, shorts such as The Amputee and The
Grandmother, and contributions to television such as On the Air,
American Chronicles, and, of course, Twin Peaks. This study
develops an idea of Lynch's politics and analyzes his work. This
analysis explores Lynch's paradox of condemning an immoral world
through disturbing images and concepts, and touches on such points
as the identifiable figure of evil in his works and the archetypes
of the nymphet, well-meaning traditionalist, and struggling
ethicist. Also included is a history of moralistic criticism in
American literature and a review of existing Lynch criticism within
this context.
General
Imprint: |
McFarland & Company
|
Country of origin: |
United States |
Release date: |
March 2004 |
First published: |
March 2004 |
Authors: |
Jeff Johnson
|
Dimensions: |
227 x 156 x 11mm (L x W x T) |
Format: |
Paperback
|
Pages: |
191 |
Edition: |
New edition |
ISBN-13: |
978-0-7864-1753-7 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-7864-1753-6 |
Barcode: |
9780786417537 |
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