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Graphic Novels as Philosophy (Hardcover)
Loot Price: R2,524
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Graphic Novels as Philosophy (Hardcover)
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Contributions by Eric Bain-Selbo, Jeremy Barris, Maria Botero,
Manuel "Mandel" Cabrera Jr., David J. Leichter, Ian MacRae, Alfonso
Munoz-Corcuera, Corry Shores, and Jarkko S. Tuusvuori In a
follow-up to Comics as Philosophy, international contributors
address two questions: Which philosophical insights, concepts, and
tools can shed light on the graphic novel? And how can the graphic
novel cast light on the concerns of philosophy? Each contributor
ponders a well-known graphic novel to illuminate ways in which
philosophy can untangle particular combinations of image and
written word for deeper understanding. Jeff McLaughlin collects a
range of essays to examine notable graphic novels within the
framework posited by these two questions. One essay discusses how a
philosopher discovered that the panels in Jeff Lemire's Essex
County do not just replicate a philosophical argument, but they
actually give evidence to an argument that could not have existed
otherwise. Another essay reveals how Chris Ware's manipulation of
the medium demonstrates an important sense of time and experience.
Still another describes why Maus tends to be more profound than
later works that address the Holocaust because of, not in spite of,
the fact that the characters are cartoon animals rather than human.
Other works contemplated include Will Eisner's A Contract with God,
Alan Moore's V for Vendetta, Alison Bechdel's Fun Home, and Joe
Sacco's Footnotes in Gaza. Mainly, each essay, contributor, graphic
novelist, and artist are all doing the same thing: trying to tell
us how the world is-at least from their point of view.
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