Abstraction is one of the most important words in modernism and in
the critical thought of modernity, yet its complex work is
invariably hidden in plain sight. What do we want from abstraction?
Does it refer to thought, or to art? Is it a term of reproach, or
of affirmation? Beyond these distinctions, Jeff Wallace's new
intellectual history of abstraction in modernism and modernity
proposes that abstraction is always uniquely concerned with the
importance and revaluation of the inhuman in and for the human.
Wallace's case studies range across the writings of Raymond
Williams and Paul Valery, Marx and Marxist aesthetics, the
discourse on abstract visual art in Cezanne, Kandinsky, Mondrian
and Newman, the literary experimentalisms of Gertrude Stein,
Wallace Stevens and Samuel Beckett, and the twenty-first-century
legacies of modernist abstraction in two forms: the post-Deleuzian
resurgence of interest in the philosophies of William James, Henri
Bergson and A. N. Whitehead; and the act of looking at the abstract
canvas in plays by Yasmina Reza, John Logan and Lee Hall. Contrary
to habitual associations of abstraction's difficulty with the
exclusivity of high modernism, Wallace finds an inclusive and
democratic impulse at the heart of the difficulty itself - the
promise of an abstraction for all.
General
Imprint: |
Edinburgh University Press
|
Country of origin: |
United Kingdom |
Series: |
Edinburgh Critical Studies in Modernist Culture |
Release date: |
April 2023 |
Authors: |
Jeff Wallace
|
Dimensions: |
234 x 156mm (L x W) |
Format: |
Hardcover - Sewn / Cloth over boards
|
Pages: |
272 |
ISBN-13: |
978-1-4744-6165-8 |
Categories: |
Books
|
LSN: |
1-4744-6165-4 |
Barcode: |
9781474461658 |
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