An introduction to a new way of modeling musical surfaces for
theorists and for generating precompositional relationships for
composers, this unique music theory reference work introduces,
classifies, and enumerates graph theoretical models for musical
transformations in compositional and analytical applications. It
also provides a practical application of musical applications for
students of graph theory and could serve as an introduction to the
further cross-integration of these two disciplines. Of interest to
scholars, advanced music theory students, and composers, this work
endeavors to facilitate the expression and understanding of musical
ideas by presenting an unexplored way of notating relationships
between transformational objects that is not attached to specific
compositional or analytical systems. Graph theoretical models of
abstract musical transformations supplement and refine the ability
to articulate orderings with pitch structures in analytical
environments. An extended analysis of the opening section of Form
IV: Broken Sequences by Stefan Wolpe is used as a demonstration.
The use of these diagrams to generate compositional surfaces
differs slightly from their use in analysis: an analytical model
relates to a single musical surface, whereas compositional
applications can be used to generate any potential surface derived
from construction of the graphs.
General
Imprint: |
Greenwood Press
|
Country of origin: |
United States |
Series: |
Music Reference Collection |
Release date: |
August 1997 |
First published: |
August 1997 |
Authors: |
Jeffrey Johnson
|
Dimensions: |
235 x 156 x 15mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
216 |
Edition: |
New |
ISBN-13: |
978-0-313-30158-2 |
Categories: |
Books
Promotions
|
LSN: |
0-313-30158-1 |
Barcode: |
9780313301582 |
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