This book approaches Lin-Manuel Miranda's groundbreaking cultural
production of Hamilton: An American Musical as a rhetorical text
with implications for contemporary U.S. politics. The contributors
to this volume utilize training in rhetorical criticism and
performance studies to analyze the musical in relation to three
broad themes: national public memory, social and cultural identity,
and democracy and social change. Each chapter offers unique
insights on its own accord while the volume as a whole explores
multiple facets of the musical, from the theater performance and
the soundtrack to the musical's circulation in public discourse and
the Chicago exhibition. The diversity of topics and methods means
that the volume is suitable for students of rhetoric and U.S.
politics and even the "HamilFans" will learn something new.
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