This book proposes a new model for understanding the musical work,
which includes interpretation -- both analysis- and
performance-based -- as an integral component. This book proposes a
model for understanding the musical work in which both
analysis-based and performance-based modes of interpretation are
integral to the work. Jeffrey Swinkin explores the important role
that performance playsin elucidating a work and argues for the
performative nature of music analysis itself, focusing in
particular on Schenkerian analysis. Swinkin's aim is to show that
music analysis is grounded in the same kinds of physical and
emotional experiences that performers are necessarily concerned to
project. Analysis and performance are thus deeply compatible and
can enjoy an equitable, fruitful relationship. The first three
chapters theorize this stance; thelast three apply it to works by
Chopin, Beethoven, and Schumann, respectively. Jeffrey Swinkin is
assistant professor of music theory at the University of Oklahoma.
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