In this cross-cultural history of narrative cinema and media
from the 1910s to the 1930s, leading and emergent scholars explore
the transnational crossings and exchanges that occurred in early
cinema between the two world wars. Drawing on film archives from
around the world, this volume advances the premise that silent
cinema freely crossed national borders and linguistic thresholds in
ways that became far less possible after the emergence of sound.
These essays address important questions about the uneven forces
geographic, economic, political, psychological, textual, and
experiential that underscore a non-linear approach to film history.
The "messiness" of film history, as demonstrated here, opens a new
realm of inquiry into unexpected political, social, and aesthetic
crossings of silent cinema."
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