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A New Deal for Native Art - Indian Arts and Federal Policy, 1933-1943 (Paperback)
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A New Deal for Native Art - Indian Arts and Federal Policy, 1933-1943 (Paperback)
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As the Great Depression touched every corner of America, the New
Deal promoted indigenous arts and crafts as a means of
bootstrapping Native American peoples. But New Deal administrators'
romanticization of indigenous artists predisposed them to favor
pre-industrial forms rather than art that responded to contemporary
markets.
In "A New Deal for Native Art," Jennifer McLerran reveals how
positioning the native artist as a pre-modern Other served the
goals of New Deal programs--and how this sometimes worked at
cross-purposes with promoting native self-sufficiency. She
describes federal policies of the 1930s and early 1940s that sought
to generate an upscale market for Native American arts and crafts.
And by unraveling the complex ways in which commodification was
negotiated and the roles that producers, consumers, and New Deal
administrators played in that process, she sheds new light on
native art's commodity status and the artist's position as colonial
subject.
In this first book to address the ways in which New Deal Indian
policy specifically advanced commodification and colonization,
McLerran reviews its multi-pronged effort to improve the market for
Indian art through the Indian Arts and Crafts Board, arts and
crafts cooperatives, murals, museum exhibits, and Civilian
Conservation Corps projects. Presenting nationwide case studies
that demonstrate transcultural dynamics of production and
reception, she argues for viewing Indian art as a commodity, as
part of the national economy, and as part of national political
trends and reform efforts.
McLerran marks the contributions of key individuals, from John
Collier and Rene d'Harnoncourt to Navajo artist Gerald Nailor,
whose mural in the Navajo Nation Council House conveyed distinctly
different messages to outsiders and tribal members. Featuring
dozens of illustrations, "A New Deal for Native Art" offers a new
look at the complexities of folk art "revivals" as it opens a new
window on the Indian New Deal.
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