What does it mean to say that some of the best Chinese
contemporary art is made in America, by Americans? Through words
and images, this book challenges the artificial and narrowly
conceived definitions of Chinese contemporary art that dominate
current discussion, revealing the great diversity of Chinese art
today and showing just how complex and uncertain the labels
"contemporary," "Chinese," and "American" have become.
This volume features contributions from six artists and eight
scholars who participated in a 2009 symposium held in conjunction
with the Princeton University Art Museum exhibition Outside In:
Chinese ? American ? Contemporary Art. These ethnically Chinese and
non-Chinese artists work or have worked in America--indeed, all of
them are U.S. citizens--but they are steeped in Chinese artistic
traditions in terms of style, subject matter, and philosophical
outlook. Here they discuss their art and careers with rare depth
and candor, addressing diversity, ethnicity, identity, and other
issues. The academic contributors bring a variety of
perspectives--Chinese and American, art historical and
political--to bear on the common, limiting practice of classifying
such art and artists as "Chinese," "American," or "Chinese
American." Revealing and celebrating the fluidity of who can be
considered a Chinese artist and what Chinese art might be, these
artists and scholars broaden and enrich our understanding of
Chinese contemporary art.
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