Just Below South is the first book to examine the U.S. South and
the Caribbean as a "regional interculture" shaped by
performance--as a space defined not so much by a shared set of
geographical boundaries or by a single, common culture as by the
weave of performances and identities moving across and throughout
it. By offering fresh ways for thinking about region, language, and
performance, the volume helps to reimagine the possibilities for
American Studies. It advances beyond current analyses of historical
or literary commonalities between the South and the Caribbean to
explore startling and significant connections between a range of
performances, including Trinidadian carnival, Civil War
reenactments, the Martinican dance form kalenda, dramatic
adaptations of Uncle Tom's Cabin, rituals of spirit possession, the
teaching of Haitian Kreyol, the translation of Louisiana Creole,
and the imaginative "travels" of southern and Caribbean
writers.
While generating textual conversations among scholars of
Francophone, Anglophone, and Hispanophone literature and culture
and forging innovative ties between cultural studies, performance
studies, linguistics, literary analysis, and studies of the African
diaspora, these essays raise provocative new questions about race,
ethnicity, gender, class, and nationality.
ContributorsJessica Adams, University of California, Berkeley *
Carolyn Vellenga Berman, The New School * Anne Malena, University
of Alberta * Cecile Accilien, Columbus State University, Georgia *
Don E. Walicek, University of Puerto Rico-Rio Piedras * Julian
Gerstin, San Jose State University * Rawle Gibbons, University of
the West Indies, St. Augustine * Kathleen M. Gough, University of
Glasgow * Shirley Toland-Dix, University of South Florida, Tampa *
Michael P. Bibler, University of Mary Washington * Jana Evans
Braziel, University of Cincinnati
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