The Uncanny Child in Transnational Cinema illustrates how global
horror film depictions of children re-conceptualised childhood at
the turn of the twenty-first century. By analysing an influential
body of transnational horror films, largely stemming from Spain,
Japan, and the US, Jessica Balanzategui shows how millennial
uncanny child characters resist embodying growth and futurity,
unravelling concepts to which the child's symbolic function is
typically bound. The book proposes that complex cultural and
industrial shifts at the turn of the millennium resulted in these
potent cinematic renegotiations of the concept of childhood. By
demonstrating both the culturally specific and globally resonant
properties of these frightening visions of children who refuse to
grow up, the book outlines the conceptual and aesthetic mechanisms
by which long entrenched ideologies of futurity, national progress,
and teleological history started to waver at the turn of the
twenty-first century.
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