The persistent popularity of the detective narrative, new
obsessions with psychological and supernatural disturbances, as
well as the resurgence of older narratives of mystery or the Gothic
all constitute a vast proportion of contemporary film and
television productions. New ways of watching film and television
have also seen a reinvigoration of this 'most domestic of media'.
But what does this 'domesticity' of genre and media look like 'Down
Under' in the twenty.first century? This collection traces
representations of the Gothic on both the small and large screens
in Australia and New Zealand in the twenty.first century. It
attends to the development and mutation of the Gothic in these
post. or neo.colonial contexts, concentrating on the generic
innovations of this temporal and geographical focus.
General
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