Consigned to the deep freeze of critical and commercial
reception upon its release in 1982, "The Thing" has bounced back
spectacularly to become one of the most highly regarded productions
from the 1980s 'Body Horror' cycle of films, experiencing a
wholesale and detailed reappraisal that has secured its place in
the pantheon of modern cinematic horror. Thirty years on, and with
a recent prequel reigniting interest, Jez Conolly looks back to the
film's antecedents and to the changing nature of its reception and
the work that it has influenced. The themforwardes discussed
include the significance of "The Thing"'s subversive antipodal
environment, the role that the film has played in the corruption of
the onscreen monstrous form, the qualities that make it an exemplar
of the director's work and the relevance of its legendary visual
effects despite the advent of CGI. Topped and tailed by a full plot
breakdown and an appreciation of its notoriously downbeat ending,
this exploration of the events at US Outpost 31 in the winter of
1982 captures "The Thing"'s sub-zero terror in all its gory
glory.
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