This book explores for the first time the punk phenomenon in
contemporary China. As China has urbanised within the context of
explosive economic growth and a closed political system, urban
subcultures and phenomena of alienation and anomie have emerged,
and yet, the political and economic differences between China and
western societies has ensured that these subcultures operate and
are motivated by profoundly different structures. This book will be
of interest to cultural historians, media studies and urban studies
researchers, and (ex-) punk rockers.
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