Essays centred on the methods, pleasures, and pitfalls of
architectural interpretation. Architecture affects us on a number
of levels. It can control our movements, change our experience of
our own scale, create a particular sense of place, focus memory,
and act as a statement of power and taste, to name but a few. Yet
the ways in which these effects are brought about are not yet well
understood. The aim of this book is to move the discussion forward,
to encourage and broaden debate about the ways in which
architecture is interpreted, with aview to raising levels of
intellectual engagement with the issues in terms of the theory and
practice of architectural history. The range of material covered
extends from houses constructed from mammoth bones around 15,000
years ago in the present-day Ukraine to a surfer's memorial in
Carpinteria, California; other subjects include the young
Michelangelo seeking to transcend genre boundaries; medieval
masons' tombs; and the mythographies of early modern Netherlandish
towns. Taking as their point of departure the ways in which
architecture has been, is, and can be written about and otherwise
represented, the editors' substantial Introduction provides an
historiographical framework for, and draws out the themes and ideas
presented in, the individual contributors' essays. Contributors:
Christine Stevenson, T. A. Heslop, John Mitchell, Malcolm Thurlby,
Richard Fawcett, Jill A. Franklin, StephenHeywood, Roger Stalley,
Veronica Sekules, John Onians, Frank Woodman, Paul Crossley, David
Hemsoll, Kerry Downes, Richard Plant, Jenifer Ni Ghradraigh, Lindy
Grant, Elisabeth de Bievre, Stefan Muthesius, Robert Hillenbrand,
AndrewM. Shanken, Peter Guillery.
General
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