There has been a significant growth in autobiographical documentary
films in recent years. This innovative book proposes that the
filmmaker in her dual role as maker and subject may act as a
cultural guide in an exploration of the social world. It argues
that, in the cinematic mediation of memory, the mimetic approach in
the construction of documentary films may not be feasible, and
memory may instead be evoked elliptically through hybrid strategies
such as critical realism and fictional enactment. Recognizing that
identity is formed by history and what `goes on' in the world, the
book charts the historical trajectory of the British independent
filmmaking movement from the mid-1970s to the present growth of new
online distribution outlets and new media through digital
technologies and social media.
General
Imprint: |
Cambridge Scholars Publishing
|
Country of origin: |
United Kingdom |
Release date: |
2019 |
Authors: |
Jill Daniels
|
Dimensions: |
212 x 148mm (L x W) |
Format: |
Hardcover - With dust jacket
|
Pages: |
243 |
Edition: |
Unabridged edition |
ISBN-13: |
978-1-5275-2135-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
1-5275-2135-4 |
Barcode: |
9781527521353 |
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