This title examines in great detail the arrival of jazz in Britain,
the influence of American musicians, the big-band era and then the
advent of bop, the Musicians' Union ban, the development of jazz
journalism and specialist clubs and the fascinating cloak and
dagger plots culminating in the defiance of the Musicians' Union
ban on the appearance of American musicians in Britain. It features
conscientiously researched and related with trenchant and pithy
humour.
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