"The way Harrison has embedded his entire vision of our
predicament implicitly in the particulars of two poetic lives, his
own and Yesenin's, is what makes the poem not only his best but one
of the best in the past twenty-five years of American
writing."-Hayden Carruth, Sulfur
"Harrison inhabits the problems of our age as if they were
beasts into which he had crawled, and Letters to Yesenin is a kind
of imaginative taxidermy that refuses to stay in place up on the
trophy room wall, but insists on walking into the dining room."-The
American Poetry Review
Jim Harrison's gorgeous, desperate, and harrowing
"correspondence" with Sergei Yesenin-a Russian poet who committed
suicide after writing his final poem in his own blood-is considered
an American masterwork.
In the early 1970s, Harrison was living in poverty on a
hardscrabble farm, suffering from depression and suicidal
tendencies. In response he began to write daily prose-poem letters
to Yesenin. Through this one-sided correspondence, Harrison unloads
to this unlikely hero, ranting and raving about politics, drinking
problems, family concerns, farm life, and a full range of daily
occurrences. The rope remains ever present.
Yet sometime through these letters there is a significant shift.
Rather than feeling inextricably linked to Yesenin's inevitable
path, Harrison becomes furious, arguing about their imagined
relationship: "I'm beginning to doubt whether we ever would have
been friends."
In the end, Harrison listened to his own poems: "My year-old
daughter's red robe hangs from the doorknob shouting Stop."
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