Dark Traffic creates landmarks through language, by which its
speakers begin to describe traumas in order to survive and move
through them. With fine detail and observation, these poems work in
some way like poetic weirs: readers of Kane's work will see the
artic and subarctic, but also, more broadly, America, and the
exigencies of motherhood, indigenous experience, feminism, and
climate crises alongside the near-necropastoral of misogyny,
violence, and systemic failures. These contexts catch the voice of
the poems' speakers, and we perceive the currents they create.
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