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Imagining la Chica Moderna - Women, Nation, and Visual Culture in Mexico, 1917-1936 (Paperback)
Loot Price: R551
Discovery Miles 5 510
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Imagining la Chica Moderna - Women, Nation, and Visual Culture in Mexico, 1917-1936 (Paperback)
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List price R648
Loot Price R551
Discovery Miles 5 510
You Save R97 (15%)
Expected to ship within 12 - 17 working days
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In the years following the Mexican Revolution, visual images of la
chica moderna, the modern woman, au courant in appearance and
attitude, popped up in mass media across the country. Some of the
images were addressed directly to women through advertisements, as
illustrations accompanying articles in women's magazines, and on
the "women's pages" in daily newspapers. Others illustrated
domestic and international news stories, promoted tourism, or
publicized the latest Mexican and Hollywood films. In Imagining la
Chica Moderna, Joanne Hershfield examines these images, exploring
how the modern woman was envisioned in Mexican popular culture and
how she figured into postrevolutionary contestations over Mexican
national identity.Through her detailed interpretations of visual
representations of la chica moderna, Hershfield demonstrates how
the images embodied popular ideas and anxieties about sexuality,
work, motherhood, and feminine beauty, as well as class and
ethnicity. Her analysis takes into account the influence of
mexicanidad, the vision of Mexican national identity promoted by
successive postrevolutionary administrations, and the fashions that
arrived in Mexico from abroad, particularly from Paris, New York,
and Hollywood. She considers how ideals of the modern housewife
were promoted to Mexican women through visual culture; how working
women were represented in illustrated periodicals and in the
Mexican cinema; and how images of traditional "types" of Mexican
women, such as la china poblana (the rural woman), came to define a
"domestic exotic" form of modern femininity. Scrutinizing
photographs of Mexican women that accompanied articles in the
Mexican press during the 1920s and 1930s, Hershfield reflects on
the ways that the real and the imagined came together in the
production of la chica moderna.
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