Sterling A. Brown's achievement and influence in the field of
American literature and culture are unquestionably significant. His
poetry has been translated into Spanish, French, German, and
Russian and has been read in literary circles throughout the world.
He is also one of the principal architects of black criticism. His
critical essays and books are seminal works that give an insider's
perspective of literature by and about blacks. Leopold Sedar
Senghor, who became familiar with Brown's poetry and criticism in
the 1920s and 1930s, called him "an original militant of Negritude,
a precursor of our movement." Yet Joanne V. Gabbin's book,
originally published in 1985, remains the only study of Brown's
work and influence. Gabbin sketches Brown's life, drawing on
personal interviews and viewing his achievements as a poet, critic,
and cultural griot. She analyzes in depth the formal and thematic
qualities of his poetry, revealing his subtle adaptation of song
forms, especially the blues. To articulate the aesthetic principles
Brown recognized in the writings of black authors, Gabbin explores
his identification of the various elements that have come together
to create American culture.
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