How does one envision architecture? Forays gathers the work of Joe
Day and Deegan-Day Design into six diptychs, unified by this
question. Working in a wide range of media and scales, Day's work
mines the differentials between perspective and projection. Forays
is organised in six diptychs, the first two paired projects are
books in their own right; the second pair, a clothing line and a
first building; the third, two houses; the fourth, two plays on
brand identity and design methodology; the fifth, permanent and
transient cinema proposals; and the sixth, two series of
speculative work in local and global registers. Modelled on a
comparison of two classic cameras - the Leica M3 and Polaroid SX-70
- each diptych includes a project with more 'Leica' to it - a more
bounded, Cartesian clarity or distilled focus - and another closer
to an SX-70 in its moving or folding parts, its shape-shifting
adaptability.
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