" Winner of the MLA Prize for Independent Scholars A Choice
Outstanding Academic Title The captivity narrative has always been
a literary genre associated with America. Joe Snader argues,
however, that captivity narratives emerged much earlier in Britain,
coinciding with European colonial expansion, the development of
anthropology, and the rise of liberal political thought. Stories of
Europeans held captive in the Middle East, America, Africa, and
Southeast Asia appeared in the British press from the late
sixteenth through the late eighteenth centuries, and captivity
narratives were frequently featured during the early development of
the novel. Until the mid-eighteenth century, British examples of
the genre outpaced their American cousins in length, frequency of
publication, attention to anthropological detail, and subjective
complexity. Using both new and canonical texts, Snader shows that
foreign captivity was a favorite topic in eighteenth-century
Britain. An adaptable and expansive genre, these narratives used
set plots and stereotypes originating in Mediterranean power
struggles and relocated in a variety of settings, particularly
eastern lands. The narratives' rhetorical strategies and cultural
assumptions often grew out of centuries of religious strife and
coincided with Europe's early modern military ascendancy. Caught
Between Worlds presents a broad, rich, and flexible definition of
the captivity narrative, placing the American strain in its proper
place within the tradition as a whole. Snader, having assembled the
first bibliography of British captivity narratives, analyzes both
factual texts and a large body of fictional works, revealing the
ways they helped define British identity and challenged Britons to
rethink the place of their nation in the larger world.
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