Fictions of Witness in the Confessio Amantis details the
first years of the Confessio’s material history and offers a
major revision to a century’s old narrative of political revision
and conversion around the trauma of 1400. Joel Fredell argues for
“late stage” revisions by Gower to his great poem in Middle
English from the late 1390s up to Gower’s death in 1408. This
approach, new to scholarship for Ricardian and Lancastrian
literature, demands profound re-evaluation of Gower's poetic
persona and its entanglement in the opening and closing books of
the Confessio. It offers a reassessment of the political and
literary relationships between versions dedicated to Richard II and
Henry IV. It repositions Gower's laureate status in a London world
of deluxe book production that created a canon of Ricardian poets
linked to their fifteenth-century inheritors. Finally,
it identifies for the first time how late medieval authors designed
their poetry as fictional artifacts that witness history from
quasi-chronicles like
Maidstone’s Concordia or Richard the Redeless,
quasi-petitions like the Lollard “Petition to the King and
Parliament,” quasi-epistles that begin so many texts,
quasi-transcripts such as the Record and Process of the
Deposition of Richard II, and so on.
General
Imprint: |
Palgrave Macmillan
|
Country of origin: |
Switzerland |
Series: |
The New Middle Ages |
Release date: |
June 2023 |
Firstpublished: |
2023 |
Authors: |
Joel Fredell
|
Dimensions: |
210 x 148mm (L x W) |
Pages: |
324 |
Edition: |
1st ed. 2023 |
ISBN-13: |
978-3-03-127963-8 |
Categories: |
Books
|
LSN: |
3-03-127963-8 |
Barcode: |
9783031279638 |
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