Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world
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Speaking Ruins - Piranesi, Architects and Antiquity in Eighteenth-Century Rome (Hardcover, New)
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Speaking Ruins - Piranesi, Architects and Antiquity in Eighteenth-Century Rome (Hardcover, New)
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As they had during the Renaissance, ruins in the eighteenth century
continued to serve as places of exchange between antiquity and
modern times and between one architect and another. Rome functioned
as a cultural entrepot, drawing to it architects of the caliber of
Filippo Juvarra, Robert Adam, Charles-Louis Clerisseau, and
Giovanni Battista Piranesi. Through their collaboration, on-site
exchanges, publications, and polemics, architects contributed
notably to fashioning a more critical and sophisticated view of the
material heritage of classical antiquity, one that we associate
with the Enlightenment and the origins of modern archaeology. In
this lavishly illustrated volume stemming from his Thomas Spencer
Jerome Lectures at the University of Michigan and the American
Academy in Rome, distinguished architectural historian John A.
Pinto traces an extraordinary path through the development of
European architecture. This period saw the transformation of
history and archaeology. Texts were treated more sceptically as
scholars placed greater reliance on artefacts as sources of
information, and architects such as Giovanni Battista Piranesi
increasingly played a crucial role in the recording and visual
presentation of ancient art and architecture. Piranesi and other
eighteenth-century architects active in Rome explored the full
creative potential of ancient architecture, its dual metaphorical
function as both palimpsest and template. Their responses to the
ruins of Rome, as well as other parts of the classical world,
created a significant body of historical knowledge, but also
propelled them to create new and dazzling designs, such as the
Trevi Fountain, Santa Maria del Priorato, and Syon House. Their
elaborate study and accurate renderings of ancient sites enriched
contemporary understanding of the material heritage of classical
antiquity; their informed conjectures and flights of fancy gave it
wings. Their encounters on sites such as Hadrian's Villa and
Pompeii, where the ruins spoke with great eloquence, greatly
enriched the architectural discourse of the Enlightenment. Speaking
Ruins emphasises the close relationship between the intensifying
archaeological explorations in this period especially in Rome and
vicinity, but also in Greece and the Levant, and the development of
post-Baroque styles in architecture, shading gradually into
romanticism and neoclassicism. Speaking Ruins is an investigation
of the legacy of classical antiquity. As a study of the classical
tradition, it should be of particular interest to classicists and
archaeologists, while its argument that eighteenth-century Rome
provided a crucible for the developing disciplines of archaeology
and art history will engage the interest of a wide range of
humanistic scholars. Speaking Ruins tells a fascinating story, with
Piranesi and his works centrally involved. Publication of this
volume was in part supported by a grant from the Barr Ferree Fund,
Princeton University.
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