The living and the dead are working side by side in John Challis's
dramatic debut collection, The Resurrectionists. Whether in
London's veg and meat markets, far below the Dartford Crossing, or
on the edge of the Western world, these poems journey into a buried
and sometimes violent landscape to locate the traces of ourselves
that remain. Amidst the political disquiet rising from the
groundwater, or the unearthing of the class divide at the
gravesides of plague victims, the veil between the living and the
dead is at its thinnest when a child is born, and something close
to hope for the future is resurrected.
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