This is the first book in English exclusively devoted to the long
take, one of the key elements of film style. Increasingly visible
in contemporary international media, the long take currently
attracts a good deal of attention in criticism and commentary.
There are also significant strands of film theory in which duration
has become a recurrent concern. In keeping with the approach of
Palgrave Close Readings in Film and Television, this collection is
devoted to the detailed critical analysis of specific long takes,
explored in terms of how they function within their contexts, how
they shape the visual field, the meanings they generate and the
effects they create. The Long Take: Critical Approaches brings
together essays by established and emerging scholars (all but one
essay commissioned for this volume) in an exciting collection that
analyses works from a range of filmmaking traditions, from the
1930s to the present day, selected to represent varied long take
practices and to explore associated debates.
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