This book shows how a play 'works' in the theatre: how it generates
life, meaning and excitement on the stage for the audience. It is
self evident that a play must communicate or it is not a play at
all. Professor Styan argues that, while communication in drama
begins with the script, the value or power of a play must be tested
upon an audience. In the theatre experience, it is not so much the
elements of drama on the stage or the perceptions of the audience
which are important, as the relationships between them. It follows
that the study of drama is the study of how the stage compels its
audience to be involved in its actual processes; it is a study of a
particular social situation. Professor Styan discusses in detail
the particular social situation, conditions of performance and
physical playhouse in which a play thrives. There is a wealth of
examples from all periods of Western drama. He especially deals
with plays which make no pretence to 'realism', and much of the
discussion turns upon the power and success of Shakespeare as a
playwright. This book will appeal to students, actors and directors
of drama, as well as the theatregoers. Professor Styan's insistence
on criticism based on the theatrical experience will make this an
important book for other drama critics.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
April 1975 |
First published: |
1975 |
Authors: |
John L. Styan
|
Dimensions: |
217 x 139 x 20mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
268 |
ISBN-13: |
978-0-521-09869-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
General
|
LSN: |
0-521-09869-6 |
Barcode: |
9780521098694 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!