"Impressive--Marsh successfully rewrites the founding moment of
American Modernist poetry."
---Mark Van Wienen, Northern Illinois University
"Cogently argued, instructive, and sensitive, Marsh's
revisionist reading opens new insights that will elicit lively
comment and critical response."
---Douglas Wixson, University of Missouri-Rolla
Between 1909 and 1922, the genre of poetry was remade. Literary
scholars have long debated why modern American poetry emerged when
and how it did. While earlier poetry had rhymed, scanned, and dealt
with conventional subjects such as love and nature, modern poetry
looked and sounded very different and considered new areas of
experience. "Hog Butchers, Beggars, and Busboys: Poverty, Labor,
and the Making of Modern American Poetry "argues that this change
was partially the result of modern poets writing into their verse
what other poetry had suppressed: the gritty realities of modern
life, including the problems of the poor and working class.
A closer look at the early works of the 20th century's best
known poets (William Carlos Williams, T. S. Eliot, Edna St. Vincent
Millay, Claude McKay, Langston Hughes, and Carl Sandburg) reveals
the long-neglected role the labor problem--including sweatshops,
strikes, unemployment, woman and child labor, and
immigration---played in the formation of canonical modern American
poetry. A revisionary history of literary modernism and exploration
into how poets uniquely made the labor problem their own, this book
will appeal to modernists in the fields of American and British
literature as well as scholars in American studies and the growing
field of working-class literature.
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