Why do singers sing in the way they do? Why, for example, is
western classical singing so different from pop singing? How is it
that Freddie Mercury and Montserrat Caballe could sing together?
These are the kinds of questions which John Potter, a singer with
the Hilliard Ensemble and Red Byrd, and himself the master of many
styles, poses in this fascinating book, which is effectively a
history of singing style. He finds the reasons to be primarily
ideological rather than specifically musical. His book identifies
particular historical 'moments of change' in singing technique and
style, and relates these to a three-stage theory of style based on
the relationship of singing to text. There is a substantial section
on meaning in singing, and a discussion of how the transmission of
meaning is enabled or inhibited by different varieties of style or
technique.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
November 2006 |
First published: |
1998 |
Authors: |
John Potter
|
Dimensions: |
229 x 169 x 17mm (L x W x T) |
Format: |
Book
|
Pages: |
236 |
Edition: |
New ed |
ISBN-13: |
978-0-521-02743-4 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-521-02743-8 |
Barcode: |
9780521027434 |
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