In the 1980s, the charts overflowed with what felt to many like the
most boring pop music ever made--and the underground exploded. The
postpunk scene was a diverse collection of bands brought together
by independent releases and aided by reportage in fanzines and
airplay by John Peel. This is the first time this era of music has
been analyzed in such depth, exploring the loose confederation of
noisenik outfits including Three Johns, the Membranes, the Ex,
Wedding Present, A Witness, Bogshed, and Big Flame.
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