First published in 1962, John Stevens' book examines the complex
interplay between lyrical and musical compositions in the courts of
Henry VII and VIII. One of the persistent problems for the reader
of an English lyric is this: was the poem meant to be sung? and if
so, how did music affect the writing, and how should it affect our
reading of the poem? Stevens aims to answer these questions by
challenging the notion of a traditional union between music and
verse. He examines late medieval ideas about music and poetry and
the impact of the Reformation on them, and uses the social
information about music and musicians to interpret the evidence of
the early Tudor songbooks. This book is supplemented by four
appendices containing the texts of all the poems in the three main
Tudor songbooks together with information about musical settings
and related poems, an index of selected songs, a list of sources,
and a bibliography of relevant books and articles. It is hoped that
this volume will appeal to practising musicians and scholars, as
well as anyone for whom music is a continuing intellectual interest
and a pleasure.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
June 1979 |
First published: |
1979 |
Authors: |
John Stevens
|
Dimensions: |
153 x 279 x 36mm (L x W x T) |
Format: |
Book
|
Pages: |
496 |
Edition: |
Revised |
ISBN-13: |
978-0-521-29417-1 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-521-29417-7 |
Barcode: |
9780521294171 |
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